What is it?
Two Pints starts off as the story of five friends in early adulthood, with little education and even less money, striking out on their own in Runcorn (it draws closely on the experiences of creator Susan Nickson, who is the same age as her characters and was therefore commendably young to have a sitcom commissioned).
The friends comprise two couples: the homely pairing of well-intentioned layabout Jonny (Ralf Little) and the only slightly more industrious Janet (Sheridan Smith), and the altogether more feisty and barbed pairing of mechanic Gaz (Will Mellor) and the perpetually angry Donna (Natalie Casey); the shallow, self-obsessed and squeaky Louise (Kathryn Drysdale) makes up the five.
Two Pints ran for nine series plus sundry specials from 2001 to 2011, totalling 80 episodes by my count (though IMDB says 83 for some reason), across BBC Two, BBC Choice and BBC Three.
Why was it good?
Like many of the sitcoms featured in these posts, Two Pints limits its appeals somewhat by one of its key characteristics: it’s only for you if you like really crude humour. But it was a warm show: the humour was unsubtle, but this was not a show about people being horrible to each other; ultimately, it was a show about a group of friends that had a warm tone, verging on the cosy.
The cast was superb – all now well-regarded actors, not least Sheridan Smith who has gone from starring in a widely-maligned show to being flavour of the month – and the characters also well-drawn and capable of driving the plot. These two things allowed for some really compelling episodes, such as the two-hander at the start of series 8 between Will Mellor and Sheridan Smith, apparently shot all in a single as-live take.
The show also gave rise to several specials: a musical at the start of series 4 remains probably the best, and was followed by a highly effective horror ep at the end of series 6, the live broadcast of the first episode of series 7 (the last live sitcom to come from Television Centre?), a crossover episode for Children in Need with the other two BBC Three sitcoms created or worked on by Susan Nickson, Grownups (also starring Sheridan Smith) and Coming of Age, and finally after series 8 a second musical episode and then Sliding Gaz, a bold two-hander between Mellor and Casey, switching between two possible scenarios for Gaz and Donna, the ‘real’ one being revealed at the start of the ninth and final series.
Why is it underrated?
Few things in relation to television annoy me more than the way in which Two Pints has become the ready punchline to many a lazy joke, as a byword for poor quality. It’s very hard to see how this can be justified: bad shows do not run for nine series or become the de facto flagship programme on their channel.
The reasons for the general low esteem in which the show is held are mostly (but not entirely) unrelated to its content and more to do with context. At the time of its launch the knives were well and truly out for anything that looked like traditional TV, particularly multi-camera sitcoms. Contemporary working class characters are always somewhat unloved within the TV industry, and by the second half of the 2000s the buzzword of the day was “chav” – a term that could be applied to both Jonny and Janet in Two Pints. The programme was also arguably rather over-exposed by the constant looping of repeats (mostly of series 2 to 6) on BBC Three at around the same time.
That said, as noted above the humour is undoubtedly a bit divisive and it’s certainly possible to argue that the show ran for too long. Story-wise, the relationships between the characters were played out by the end of series five (by which point the writers had taken them through the inevitable splitting up, cheating and getting back together again), although Louise was egregiously one-dimensional and really had little to offer story-wise after about the third series. From series six onwards the stories became more forced and contrived, with the show overtly jumping the shark to explain the writing-out of Jonny after Ralf Little left between series. By the final series (which I’ll admit I’ve not seen – I’m part-way through a re-watch of the show and have series nine sitting on my DVD shelf waiting for me to get to it), only Gaz and Donna remained of the original cast. Sadly Two Pints apparently ended on a cliffhanger in the hope of a re-commission; Zai Bennett’s purge of BBC Three comedy shows put paid to that. A more dignified wrapping-up a little earlier might have been preferable, but it certainly deserves to be remembered as a well-written, well-acted and successful show, not as the byword for bad taste it has become.
Can I watch it?
All series are available on DVD, though sadly the days of constant looped repeats of the show on BBC Three are long over.